It’s almost time for the William E. Schmidt Youth Vocal Competition. This nation’s premier youth vocal competition is based at Miami University in Oxford, Ohio. The competition occurs in fifteen locations throughout the United States awarding over $150,000 dollars in prizes and scholarships! As part of the competition, the students will be able to participate in a master class with an expert panel of judges and world renowned singers. The competition is a wonderful educational experience and is sponsored by the William E. Schmidt Foundation based out of Sarasota Florida.
The Schmidt Youth Vocal Competition is open to accomplished young singers who are currently in their sophomore, junior or senior year in high school. As part of its mission, the Schmidt Foundation encourages youth in the arts and provides support and inspiration to our next generation of artists. The Schmidt competition, now in its thirtieth year, has impacted the lives of over 5,000 youth throughout the country and annually provides scholarships for over 120 students. Student competitors have gone on to gain entrance into the world’s finest music schools and include winners of the Metropolitan Opera National Council Auditions, the George London Competition, the National Association of Teachers of Singing Artist Competition and the National Opera Association Award.
The Schmidt Youth Vocal Competition is currently accepting applications for all of its 15 regional locations. The application deadline is two weeks before the competition date at each of the listed locations. Baylor University in Waco, Texas will be judging competition applicants starting on October 8, 2016. You can click here to see a complete list of all the other competition locations and dates.
Competition Eligibility Rules
High school sophomores, juniors, or seniors recommended by their choral directors or vocal teachers. Singers are only allowed to enter one Schmidt Youth Vocal Competition per competition season. To be eligible for cash prizes, contestants must be United States citizens and supply a social security number. Participants are required to pay a registration fee of $45 after submitting their application. An application will be considered complete when both the fee and private teacher recommendation have been received. For special financial consideration, please make requests to Benjamin Smolder, Director at firstname.lastname@example.org.
Applicants must be prepared to present three (3) musical compositions from standard "classical" vocal literature representing different periods and styles, for example, Classical, Romantic, Impressionistic or Contemporary Art Song. One selection may be from Broadway theatre repertoire. All of the song selections must be memorized as well. A professional accompanist will be selected and provided for the competition by the Schmidt Foundation. (No individual, personal accompanists may be used.) The singer will not have the opportunity to rehearse with the pianist in advance of the competition. Singers will need to provide one (1) copy of printed music that is clear and easy to read for each of their songs. Please make sure that your music is complete and not missing the bass clef. The printed music should be in a binder, double sided and well marked. It is not necessary to send your music in advance of the competition. It should be brought with you on the day of the competition.
For additional information you can visit schmidtcompetition.org or contact:
Schmidt Youth Vocal Competition
109 Presser Hall
501 South Patterson Avenue
Oxford, OH 45056
Telephone: (513) 529-3046
Fax: (513) 529-3027
Greetings to Everyone and A Big Welcome to Infinity Music Studio! My name is Suzanne Brittania. I have been teaching piano and voice lessons for over 40 plus years. It is my hope that you will find all the following information, along with the music videos listed within my blog, to be very interesting, helpful and inspiring all throughout your own musical journey.
The videos listed below are of famous opera stars (that I performed with extensively all throughout my earlier musical career) especially during the 1950's and 60's.
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