Kawai has introduced the CN37 and CN27 for 2017, the latest additions to the popular CN Series of digital pianos, and successors to the highly successful CN35 and CN25 models. These updated models feature stunning Shigeru Kawai SK-EX and Kawai EX concert grand piano sounds, the class-leading Responsive Hammer III keyboard action, built-in Bluetooth® wireless connectivity, improved Virtual Technician functions and SHS headphone enhancements, and modernized cabinet designs, delivering a new standard in digital piano value and performance.
Piano sound: Shigeru Kawai SK-EX and Kawai EX concert grand pianos reproduced with 88-key sampling
The rich, expressive sound of Kawai’s celebrated grand pianos are at the heart of the new CN Series, two world-class instruments lovingly recorded and faithfully produced using full 88-key stereo sampling: the flagship Shigeru Kawai SK-EX, and the highly-acclaimed Kawai EX. With two distinctive Kawai grand pianos and even a traditional upright readily available, CN37 and CN27 players can explore a variety of different piano sounds, and enjoy the contrasting properties of each.
The new CN Series utilize Kawai’s advanced Progressive Harmonic Imaging technology, with algorithms that reproduce string and damper resonance, and how an acoustic piano’s tonal character changes as dynamics increase. This ensures seamless expression when playing from gentle pianissimo to thunderous fortissimo, without sudden changes in sound. And with an impressive 256 note polyphony, professional players need not worry about held notes ‘dropping out’ unexpectedly during more complicated passages.
Keyboard action: Responsive Hammer III weighted-key action
Connecting the CN Series’ stunning grand piano sounds to the player is the class-leading Responsive Hammer III keyboard. This highly-regarded action features graded hammers that replicate the heavier bass and lighter treble hammers of an acoustic piano, with additional counterweights embedded within the front of each black and white key that assist playing control during pianissimo passages. The CN37 and CN27 utilize a modern triple sensor key detection system for improved repetition speed and responsiveness, allowing a greater range of expressive control from staccato to legato playing. The Responsive Hammer III action is equipped with premium Ivory Touch key surfaces that gently absorb fingertip perspiration to aid playing accuracy, and possess an attractive, natural matte finish that is smooth but not slippery. And underlining Kawai’s rich acoustic piano pedigree, the CN Series’ keyboard even simulates the subtle ‘let-off’ resistance felt when playing the keys of a grand piano very softly, satisfying the expectations of even the most experienced pianist players.
CN37/CN27 New Features & Improvements
Be sure to watch the video below which provides a demonstration of both the CN37 and the CN27 digital pianos.
Being unique among piano competitions from all around the world, the Seattle International Piano Festival and Competition encourages pianists of all ages to seek his or her personal niche and voice, with the freedom to select musical repertoire without specific requirements. The 2017 Seattle International Piano Competition will take place September 29th through October 2nd, featuring incredible aspiring pianists of all ages and skill levels from all parts of the globe.. The 7th bi-annual Seattle International Piano Festival & Competition is being held on the stage of Illsley Ball Nordstrom Recital Hall at Benaroya Hall located at 200 University Street, Seattle, Washington.
Aside from the solo piano competition, the festival will include guest recitals, master classes and lectures presented by world-class performers. The Seattle International Piano Festival provides musical opportunities for aspiring pianists, music lovers, and professional musicians. Youth, piano students of universities and conservatories, professional pianists and amateur pianists – all are invited to compete in the annual piano competition to share their original artistry. The deadline for entry is July 7th, 2017.
The more approachable structure of the festival’s bi-annual piano competition also makes it possible for a pianist of any financial status to apply and participate. Most piano competitions require the pianist to travel great distances and live out of a hotel at great personal expense and risk, not knowing whether one will even make it to the final round. A user-friendly piano competition such as this provides the pianist a means to participate without such great cost, knowing that the chances for being awarded a prize are high if one passes the preliminary round.
Complete Competition Rules and Information can be found by clicking on the following website link.
June 3-11, 2017
The Performing Arts Center at Texas State University in San Marcos, Texas will be hosting this year’s International Piano Festival. Located at the corner of University Drive and Moon Street, the Performing Arts Center houses both a 400-seat theatre and a 300-seat recital hall, plus a grand lobby, rehearsal space, a scenery shop, staging areas and classrooms.
Participants of the 9-day Texas State International Piano Festival will perform in this modern recital hall and theatre, which will also host performances and master classes by world-renowned guest musical artists.
To learn more about the Texas State International Piano Festival, please be sure to watch the accompanying video below.
For additional information or questions, please contact:
Dr. Jason Kwak
Texas State International Piano Festival
School of Music
601 University Drive
San Marcos, TX 78666
Phone: (512) 245-3390
May 25 - June 10, 2017
Bass Performance Hall
Fort Worth, Texas USA
ABOUT THE FIFTEENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
Established back in 1962, the quadrennial Van Cliburn International Piano Competition is widely recognized as “one of the world’s highest-visibility classical-music contests” (The Dallas Morning News) and remains committed to its original ideals of supporting and launching the careers of young pianists between the ages of 18–30. Many months prior to the piano competition, an esteemed panel of judges travels all across the world to hear hundreds of accomplished pianists perform before a live audience. This is one of the few competitions that provides applicants the opportunity to showcase their talent through the intimacy and immediacy of a live concert performance. 30 of the top piano competitors are subsequently selected from these auditions and invited to compete for the coveted Cliburn medals, cash prizes and awards, including three years of commission-free career management valued at over $1.3 million.
THE CLIBURN LIVE
The Fifteenth Van Cliburn International Piano Competition will also be streaming a live webcast from Fort Worth from May 25–June 10, 2017. The dynamic, multi-camera webcast will bring the Competition to life around the world in real time with over 110 hours of live broadcasts of performances, interview segments, and awards ceremonies over the 17-day period. It will also include hours of other compelling material, including competitor profiles, taped interviews, featurettes on the many aspects of the Competition (including its 1,200 volunteer force), and other behind-the-scene glimpses.
COMPETITION ROUNDS & REPERTOIRE
Preliminary Round (May 25–28, 2017)
30 competitors will perform a 45-minute recital, to include a commissioned work of 4-6 minutes by Marc-André Hamelin
Quarterfinal Round (May 29–30, 2017)
20 competitors will perform a 45-minute recital
Semifinal Round (June 1–5, 2017): 12 competitors in two phases
I. Mozart concerto to be selected from a list with FWSO and conductor Nicholas McGegan
II. 60-minute recital
Final Round (June 7–10, 2017): 6 competitors in two phases
I. Piano quintet selected from a list with Brentano String Quartet
II. Concerto with Fort Worth Symphony Orchestra and Leonard Slatkin
COMPETITION PRIZE AWARDS
More detailed information about the Cliburn Piano Competition, its various programs, history, previous winners and options to attend this year’s competition in person is available at Cliburn.org.
UT Tyler School of Performing Arts
3900 University Blvd.
Tyler, TX 75799
The UT Tyler Piano Skills Festival is an annual two-part festival in which pre-college students have the opportunity to earn ribbons, medals and trophies for their participation and excellence in the areas of functional piano skills and piano performance, while also being able to perform in the UT Tyler Braithwaite Recital Hall on a Steinway & Sons Concert Grand Piano.
The festival will be a two-part event with functional skills isolated from repertoire performance. Part 1 will include the functional skills of technique, harmonization and sightreading. Part II will include a performance of two solo selections. Solo repertoire must be memorized and music may be used for collaborative works. Students will receive a critique sheet and ribbons immediately following their performance on each day of participation.
By including technique, harmonization and sightreading in a piano festival, students will have more incentive to develop these important skills. When students gain experience and confidence in their creativity and learning abilities, they will be more likely to continue to play the piano at home and in informal social settings after lessons cease. More advanced pianists with strong functional and performance skills will also be better prepared for college scholarship auditions and employable for the many accompanying positions available in local churches, competitions and schools.
2017 Festival Dates
March 9-11, 2017
236 North Main Street
The Young Texas Artists Music Competition is an official music competition of the State of Texas. YTA was created by the Montgomery County Performing Arts Socety in 1983 as an effort to encourage excellence in young musicians and to further artistic growth throughout the state of Texas. The Young Texas Artists Music Competition (YTA) has been showcasing and supporting the state's rising classical music stars for over three decades.
Each candidate will be judged by the highest artistic standards in regard to musicianship, technical proficiency, selection of repertoire, stage deportment and artistry. Formal attire is required only for the finals. All selections must be performed from memory.
Candidates must provide one copy of each selection for the panel. Scores should be unmarked except for measure numbers. No photocopies will be permitted without expressed written permission from the publisher. Scores must not be labeled with names of candidates or teachers. The judges will choose which excerpts of your repertoire they would like to hear, including repertoire for the final round of competition.
Finalists’ performances are limited to 12 minutes. Candidates should edit their longer pieces to the time constraints of the concert Saturday evening. One movement of a concerto or other work may be edited for the finals, although preliminary rounds require that the entire work be prepared.
Formal attire is required for the final round of competition. Formal attire shall be tuxedo or white tie and tails for men and formal gowns for women. Regular suits and long ties are not considered formal attire for men and will not be permitted. Candidates not wearing the required formal attire will not be allowed to compete in the final round.
Three selections of contrasting style in the original key, selected from standard opera, oratorio, cantata, or songs with orchestral accompaniment. Two selections must be in the original language. A third selection of the candidate’s choice may be performed. All selections must be performed from memory.
A complete concerto or any other major work for solo instrument and orchestra. One movement from a Beethoven Sonata. If the candidate chooses to play one of the Beethoven concerti to fulfill the concerto requirement, another solo of contrasting style and period should be chosen.
All selections must be performed from memory.
Application Deadline is Wednesday, December 31st, 2016, 11:59 p.m CST.
Go Here for a complete list of contest rules and application information.
State Representative Todd Hunter, the Texas Music Office and the The Corpus Christi Convention & Visitors Bureau (CVB) along with Texas A&M University-Corpus Christi and Del Mar College are pleased to announce the 2016 Power On Music conference at 8 a.m., Wednesday, October 19th.
The free, day-long conference will feature panel discussions from Texas music industry leaders and is aimed at promoting the importance of the music industry in Texas.
Mathew Knowles, father of pop music superstar Beyoncé and former manager of Destiny’s Child, will be the keynote speaker during the lunch hour. Knowles left his career in the medical-systems sales division at Xerox Corporation to create a music company and manage his daughter Beyoncé’s career. Other speakers will include Grammy Award nominee El Dusty and popular Texas Country Music artist Jake Ward.
“The music industry contributes to the economy of this state and it is important to both celebrate it and recognize its value,” State Rep. Todd Hunter said. “We are happy to host this event in Corpus Christi and work with the Governor’s Texas Music Office to showcase some of the Texas music industry’s top leaders.”
Some of the topics to be discussed include: Forming Music Friendly Communities, Training for Careers in the Music Industry and Funding Ideas for Start-ups, An Exploration of Careers in the Music Industry and Tips for Getting Your Foot in the Door.
“We sincerely appreciate Rep. Todd Hunter and staff, the City of Corpus Christi, Texas A&M-Corpus Christi, Del Mar College, and the Corpus Christi Convention & Visitors Bureau’s work toward developing and highlighting the South Texas Coastal Bend music community,” said Texas Music Office Director Brendon Anthony. “This unique day-long event kicks off the first of, what we hope, are many similar regional music industry conferences spotlighting the state’s music businesses, allowing our industry leaders to network, as well as providing educational opportunities for students and music business entrepreneurs.”
This event is free, but registration is required. You can go to http://poweron.tamucc.edu/ to fill out the registration form.
For more information about the Power On Music conference contact Angie Flores at (361) 695-2048 or firstname.lastname@example.org.
It’s almost time for the William E. Schmidt Youth Vocal Competition. This nation’s premier youth vocal competition is based at Miami University in Oxford, Ohio. The competition occurs in fifteen locations throughout the United States awarding over $150,000 dollars in prizes and scholarships! As part of the competition, the students will be able to participate in a master class with an expert panel of judges and world renowned singers. The competition is a wonderful educational experience and is sponsored by the William E. Schmidt Foundation based out of Sarasota Florida.
The Schmidt Youth Vocal Competition is open to accomplished young singers who are currently in their sophomore, junior or senior year in high school. As part of its mission, the Schmidt Foundation encourages youth in the arts and provides support and inspiration to our next generation of artists. The Schmidt competition, now in its thirtieth year, has impacted the lives of over 5,000 youth throughout the country and annually provides scholarships for over 120 students. Student competitors have gone on to gain entrance into the world’s finest music schools and include winners of the Metropolitan Opera National Council Auditions, the George London Competition, the National Association of Teachers of Singing Artist Competition and the National Opera Association Award.
The Schmidt Youth Vocal Competition is currently accepting applications for all of its 15 regional locations. The application deadline is two weeks before the competition date at each of the listed locations. Baylor University in Waco, Texas will be judging competition applicants starting on October 8, 2016. You can click here to see a complete list of all the other competition locations and dates.
Competition Eligibility Rules
High school sophomores, juniors, or seniors recommended by their choral directors or vocal teachers. Singers are only allowed to enter one Schmidt Youth Vocal Competition per competition season. To be eligible for cash prizes, contestants must be United States citizens and supply a social security number. Participants are required to pay a registration fee of $45 after submitting their application. An application will be considered complete when both the fee and private teacher recommendation have been received. For special financial consideration, please make requests to Benjamin Smolder, Director at email@example.com.
Applicants must be prepared to present three (3) musical compositions from standard "classical" vocal literature representing different periods and styles, for example, Classical, Romantic, Impressionistic or Contemporary Art Song. One selection may be from Broadway theatre repertoire. All of the song selections must be memorized as well. A professional accompanist will be selected and provided for the competition by the Schmidt Foundation. (No individual, personal accompanists may be used.) The singer will not have the opportunity to rehearse with the pianist in advance of the competition. Singers will need to provide one (1) copy of printed music that is clear and easy to read for each of their songs. Please make sure that your music is complete and not missing the bass clef. The printed music should be in a binder, double sided and well marked. It is not necessary to send your music in advance of the competition. It should be brought with you on the day of the competition.
For additional information you can visit schmidtcompetition.org or contact:
Schmidt Youth Vocal Competition
109 Presser Hall
501 South Patterson Avenue
Oxford, OH 45056
Telephone: (513) 529-3046
Fax: (513) 529-3027
The 66th Wideman International Piano Competition will be held Friday through Sunday, December 2nd, 3rd & 4th, 2016 at Centenary College-Hurley School of Music in Shreveport, Louisiana.
The Wideman International Piano Competition, which began in 1950, has been held annually the first weekend of December, at Centenary College-Hurley School of Music.
Outstanding pianists from throughout the United States and foreign countries and from major music schools have been attracted to the Competition. Nationally and Internationally known concert pianists and conductors are chosen to be the judges.
All Contestants must be at least 18 years of age and not older than 28 years of age by December 4, 2016, and they must also be residents of or currently studying in North America.
A contestant may select any piano concerto on the approved list contained in the application form online which may be accessed here. The audition recording must be of the same concerto you plan to play in the competition. All concertos must be memorized. A non-refundable application fee of $100.00 is required in advance. If requested on the application form, an accompanist will be provided by the Competition for an additional $100, paid directly to the Wideman Piano Competition upon notification of competitor selection.
Make checks payable to:
Wideman Piano Competition
1200 Meadowbrook Road, No 39
Jackson, MS 39206
- Submit Application, the $100 fee, required documents, photo, and your performance web link no later than Oct. 14, 2016
- Receive notification of acceptance by Oct. 28, 2016 (and pay $100 accompanist fee if applicable)
- Preliminary Rounds will be on Dec 2 and Dec 4, 2016 (40 contestants)
- The Final Round will be on Dec 4, 2016 (5-8 contestants)
Competition Awards and Prize Money
Gold Medal $5,000
The William Peyton Shehee & Virginia Kilpatrick Shehee Award
The Gold Medalist also will win several orchestra performances, engagements and recitals with the Shreveport Symphony Orchestra, the Northwest Florida Symphony Orchestra, the South Arkansas Symphony Orchestra, the Emmett Hook Center Texas Street Artist Recital Series in Shreveport, Louisiana, the Noel Foundation, Inc. Chamber Music Series also in Shreveport, Louisiana, the Downtown Piano Works Fine Arts Series in Frederick, Maryland and the Dame Myra Hess Memorial Concert Series in Chicago, Illinois.
Silver Medal $3,000
Given by Alice & John Frazier (in memory of Genevieve & Carlton Frazier) and Martha & Bill Smith.
Bronze Medal $1,500
The Magnolia Award given by the family of Marilyn Johnson King
Honorable Mention $1000
Special Awards (2-4) $500
Given by Mrs Pearla T Despot and additional Special Awards are provided by the Glenda Lee Harrison Fund and the Marilyn Willis Fund, both of The Community Foundation.
For assistance or further information, contact
Lester Senter Wilson, DMA
June 5 – 12, 2016
Trinity University Ruth Taylor Recital Hall
San Antonio, Texas
The San Antonio International Piano Competition, founded in 1983, is dedicated to providing an enriching musical experience for San Antonio and South Texas audiences while offering a challenging but inspiring opportunity to promising young pianists.
This year’s competition is limited to pianists between the ages of 20 and 32. The San Antonio International Piano Competition provides significant cash awards through a series of daily concerts given by twelve semi-finalists, five concerts by finalists, and a final Winners’ Recital.
For each competition a work is commissioned by a major composer. All semi-finalists are required to learn the commissioned work, which then will be performed by the five finalists.
In addition to the awards for first, second and third place, there are awards for the best performance of the commissioned work, and for works from the Baroque, Classical, Romantic and 20th-21st century eras, as well as of a Russian work and a work by a Spanish, Latin American or Impressionistic Composer. The winners of all of these awards will perform at the Winners’ Recital on Sunday, June 12, 2016.
Sunday, June 5, 2016
Recital by LO-AN LIN
San Antonio International Piano Competition Gold Medalist 2012
The 2016 Competitors will draw for their competition performance order.
Tuesday, June 7, 2016
Round One begins
Wednesday, June 8, 2016
Round One concludes
Round Two begins
Thursday, June 9, 2016
Round Two concludes
Announcement of winners of Best Performance Awards
and Five competitors to advance to Final Round
Saturday, June 11, 2016
Announcement of winners of Best Performance Awards
and Gold, Silver and Bronze Medal Winners
Sunday, June 12, 2016
Visit the SAIPC website at www.saipc.org for more detailed information.
Greetings to Everyone and A Big Welcome to Infinity Music Studio! My name is Suzanne Brittania. I have been teaching piano and voice lessons for over 40 plus years. It is my hope that you will find all the following information, along with the music videos listed within my blog, to be very interesting, helpful and inspiring all throughout your own musical journey.
The videos listed below are of famous opera stars (that I performed with extensively all throughout my earlier musical career) especially during the 1950's and 60's.
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